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Acasa   |   Arhiva   |   2009   |   Octombrie   |   Numarul 498   |   Education Beyond Dominant Master-Pupil Matrix

Education Beyond Dominant Master-Pupil Matrix

Autor: Jan RITSEMA | Categoria: | 0 comentarii
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Jean-Luc Godard: “be sure you usurped everything that can be said by silence“, a filmmakers advice to avoid the dominance of the in principal non-filmic language of words to enhance the language of image. Paraphrasing and applying this to education: be sure you usurped every opportunity to learn without being instructed. As to educate yourself, a researchers advice to avoid being dominated by the, in principal, stultifying instructions of a teacher to enhance the intelligence cycle of observing-comparing-verifying.

But, despite this advice, almost all films are driven by language and not by images

And, almost all education is driven by the dominant master-pupil matrix and not by intelligence. The way we educate people in schools is still based on the principles of supplying an effective Fordist workforce. Despite many modifications, the basic hierarchical principle remains that the schoolmaster assesses the quality of the student’s knowledge and not the student him/herself. This erases the individual student’s ability to perceive, to assess, to qualify her/his own observation. Let’s call this, the ability to enhance ones own general intelligence. This is not new. Many people recognize have recognized the technique of repression as a basic principal of the current educational system. Many are opposed. Some even consider it a prefascistic education, as it teaches a strong dependancy on dependance. Why then can’t we put a halt, a stop, to this? Because everybody seems accustomed to it. Read: addicted. Addicted to repression, to hierarchy, to deresponsabilisation. It feels comfortable. Although for many, teachers and students alike, it’s a kind of comfortability of the uncomfortable. To educate oneself promotes self-reliance, reliance on one’s own perception, and intelligence. We do this all our life: observing-comparing-verifying.
 
Self-education comprises two possible approaches: 1. the education of the self to become a self or to become oneself and 2. an education where one teaches oneself (reflexivity, and an ability to problematize). In this article we talk about the second approach. Self-education is based on the possibility to freely choose topics, methodologies, time, space, and intensity/ quality of learning. That also comprises the necessity of learning how to learn. Self-education is not a matter of more freedom of choice (one makes one’s own curriculum, and therefore, becomes a project of oneself), but it is about a programme of experimentation, which needs to be constantly questioned for its specificity (what and how), consistency (how to maintain motivation as desire rather than a pragmatic/utilitarian interest), transformation (process of change which can entail a radical shift of thinking patterns), and availability for others (the questions of authorship and ownership). To develop a machine of reflexive learning start with questions, in order to translate to another way of reading. Translation is the medium, the operation and the means of gaining knowledge, whereas schools reduce gained knowledge to what is translated (the object). Translation transposes something by changing its side, it transports it, but it also loses something of it, or it changes that which it transports. In order to translate, one needs to abstract, recognize the rules of a system one is unfamiliar with in analogy of the rules of the system one is familiar with (comparison by analogy, homology, equivalence). Self-education should not be understood as a lonely process. On the contrary, a technique of thinking together and outloud should be applied. Training the ability to shift the viewpoint, translate from one mindset (thinking pattern, method, procedure) to another, one can do by oneself, but it is helpful to use an environment, a dialogue or a collective process with fellow students, mentors, collaborators. Not to produce new problems, not that which should be problematized, but to produce new contexts of problematization.
 
Much knowledge until some years ago was difficult to obtain. The teacher was the guardian of knowledge. Nowadays it is much easier, one can say, since the last decade, to find the desired knowledge oneself. Google and friends opened up many resources and will continue to do so. Paradises and jungles of potential knowledge cannot wait to be used and explored. A necessary shift from “learner” to “user” is underway. As information is available and free – and we are also overwhelmed by it – one needs to learn how to use it, because information in open source doesn´t include the grammar (rules and protocols) of use. We have to acknowledge that library, archive and other places of knowledge dissemination have been until recently (information age) the privilege of the educated middle-class. Nowadays with the open source and free software movement there is a struggle for open access, availability and computer-literacy which enhances the potential for acquiring knowledge on a non-discriminative basis.
 

This means that,

Teachers can change from instructor to facilitator. Teachers can change from better-knowers to fellow-researchers. Teachers can change from master to sparringpartner. Teachers can change from conveying only specific knowledge to facilitating processes and methods of problematization.

A teacher can even be ignorant of the specific knowledge to be obtained and still be an excellent facilitator, as s/he went through similar processes to obtain (different) knowledge.

The advantages seem to be many.
 

Much more time will be left for the teacher to spend on quality, individual, or small group exchanges, when s/he does not need to lose her/his time anymore in conveying content most students can find for themselves.

Much more time can be spent by the student to search for knowledge, read it, do it, interpret it, and appropriate it, when s/he doesn’t lose her/his time in the impersonal and unspecific conveyance of knowledge in classrooms. More individual and dynamic packages of knowledge can be constructed in order to fit this filigrain of diverse abilities, needs, and desires, to this wide range of personalities that society consists of, and of which a modern society with an ever changing market, will soon desperately be in need of.

The typical school is thought to be efficient, although I tend to doubt it, in producing standardized knowledge, but it is highly inefficient in producing a specific and individual variety of knowledge.

Despite that for decades the existing prevailing education system has been in deep crisis (violence in schools being a symptom of a stultifying hierarchy), this mammoth called education has hardly changed its course. Why is it so difficult to change when so many successful experiments have shown that self-education isn’t less effective at all. A recent experiment in a Swiss high school, in Wetzikon an outskirt of Zürich, in which the last year gymnasium students were left to learn by themselves, showed that good students became better while the less good ones did not worsen, they simply kept their level. Many working in the field of education recognize the need for fundamental changes.
 

Why then this resistance to change?

Teachers, students, parents, administration, and society are convinced that the ONLY way to learn, is when one is taught. One is convinced of the impossibly of learning oneself. One believes that a teacher is indispensable. Because without him or her, how should a student know where to start and how to continue? In this system the teacher knows and the student is ignorant. But it is the teacher who withholds information, conveys it in packages. It is the teacher who controls the knowledge to be produced. In this approach, the teacher not only stultifies the students general intelligence, but keeps him or her ignorant. Quite opposite of what we think a teacher does, or should do. This is quite close to a crime isn’t?

Unfortunately the alternative of self-education is alien to the existing teaching principles based on obedience, discipline, and reliance on external assesment, which seem to be integrated in society as good common sense. Despite the fact that modern enterprises demand a creative and flexible workforce, it seems unimaginable, for too many, that self-education could be a possible solution to the countless problems schools have to contend with currently.

The disciplinary, repressive process of learning seems necessary, seems, in a system that lacks an ethic of self-responsibility, in a system that denies the complexity and individuality of appropriation of knowledge. It is evident that a repressive system needs discipline. Therefore, it is not the knowledge to be obtained that presupposes the role of a teacher, it is the system to be upheld that requires it. A teacher is indispensable to the rigid, classical structure of the conveyance of knowledge.
 
The strict selection process in a school proves to the market that if one sustains certain standards one can successfully appropriate certain knowledge. It is not the individual student, their actions, their manner of thinking and maintaining a certain level of technical or specific knowledge, but the assessment of the school, according to a standardized system of testing, that counts. For the sake of efficiency of selection the market traditionally accepts this repressive school system as the most reliable. The resistant to change the educational system derives from a fundamental belief that growing, curiosity, and a desire to function well in society, aren’t stimulating enough to sustain the necessary motivation that can help a student through difficult phases in the learning process. Of course, the perspective of becoming a member of the fordist workforce isn’t stimulating at all, even though most of this type of work belongs to the past or if not, it is outsourced. But the postindustrial society of information economy needs other qualities and therefore promotes more differences of knowledge and of gaining knowledge. These different methods fit in the need of a society that is constantly under change and therefore needs the ability to change. (…) The self-education approach fits perfectly in a society that requires individual initiative, creativity, responsability and an ability to change. Art needs a strong desire to communicate something specific. What this ‘something’ might be, how this might change in the course of an artistic life and into what means one might translate/mutate this ‘something’ to, and how these means might change in the course of an artistic life, are all part of the critical, reflexive, artistic, self-steered process. The self evident independence kept in the course of becoming an artist in a learning environment based on self-education, of becoming an exception and not a product of the rule(s) of a school, is of crucial importance for the quality of what the artist wants to communicate.
 

And the fun of self-education, the independence, the strong reliance on ones own perception, does not only produces better artists but counts for any product of the education cycle as a whole.

 

In an art education community everyone should be an exception

The institution is there for the students, not the students for the institution, but the students must work there intelligently and at full tilt. The institution and the students expect a lot from each other. Not as ventriloquists but as sparring partners.

I am of course talking about courses for creative artists. It is better for courses for performing artists to communicate knowledge and skills as efficiently as possible. Although for these courses it is also true that a good performing artist is at the same time a creative artist. I am not so keen on these two sorts of course being separated, because in modern performance practice they often overlap. But in everyday educational practice there is a great difference between the needs of a performing artist and those of a creative one. The performing artist cannot and does not want to operate without high-grade skills and knowledge, whereas the creative artist wants above all to be an artist, whatever it implies. What is clear is that the latter presents a product he has assembled himself. He is interested in both the mechanisms and the route that lead to the clearest possible conception of the product of their mind, and in the mechanisms and route to its realisation. After all, laws and practical difficulties stand between dream and action.
 
These processes are hard to communicate, because they are fitful and always different. That is what I meant when I wrote above that Education and Art are at odds with each other. Courses whose staff think they know the professional ins and outs of being a choreographer or director have no problem in passing them on. But they are past-oriented institutions that consolidate artistic practices rather than wanting to discover them. Nevertheless, a course can have a great influence on a young artist’s development. There is after all a difference, a difference between having to invent it all oneself, the autodidactic way, having to go without the confrontation with one’s fellows, and not feeling the need for it. As long as the confrontation is not pedantic, meaning stripped of any form of ‘knowing better’, of any form of repressiveness, a young artist can accelerate his development by doing, doing, and once again doing and by always exposing what they have done to a keen and penetrating and direct confrontation. This confrontation need not be hard, but should be direct, though sensitive, gentle, subtle artists should not suffer a block as a result of too much directness. The privilege of an educational course lies in this fair, respectful confrontation.

(fragment)

Jan RITSEMA

 

Jan RITSEMA is an independent theater director, actor and dancer. He makes his own performances and stages repertory as well. He shows his performances mainly in Europe. He works in the field of experimental and political theater, develops research in theater and teaches in art schools. He is based at PAF (PerformingArtsForum) near Reims in France (http://www.pa-f.net).

 


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